北京京剧院

北京京剧院是规模最大、艺术底蕴最为深厚的国家级重点京剧院团，由京剧发祥地——北京地区原有的京剧班社及后来的流派剧团于1979年汇聚而成。剧院现有三个演出团、一个演出培训中心、一个舞美中心以及杜镇杰、张慧芳工作室。

梅兰芳、尚小云、程砚秋、荀慧生和马连良、谭富英、张君秋、裘盛戎、赵燕侠等前辈艺术家作为北京京剧院的奠基人，为剧院留下了极其宝贵的艺术乃至精神财富，他们的舞台风范、艺术成就、流派风格，成为剧院的鲜明旗帜、渊源界碑。

北京京剧院名家荟萃，人才济济，除前辈大师外，剧院还拥有吴素秋、李万春、李多奎、赵荣琛、李宗义、李慧芳、马富禄、姜妙香、李元春、王吟秋、周和桐、刘雪涛、梅葆玖、谭元寿、马长礼、梅葆玥、张学津、李玉芙、李崇善、陈志清、杨少春、谭孝曾、赵葆秀、阎桂祥、王玉珍、黄德华、叶金援、王树芳等众多京剧发展史上不可或缺的表演艺术家。

著名编剧、文学家汪曾祺、编剧王雁、王新纪；导演迟金声、徐春兰；作曲家陆松龄、朱绍玉；舞美设计郑传恩、演奏家李慕良、姜凤山、何顺信、汪本贞、燕守平、王鹤文、金惠武等是北京京剧院成就卓著的创作者、音乐家。

北京京剧院演员队伍实力雄厚、行当齐全、梯队合理:

王蓉蓉、杜镇杰、李宏图、迟小秋、朱强、张慧芳、胡文阁等是当今最具影响力的京剧名家；包飞、王怡、尚伟、张澍、韩巨明、李红艳、黄彦忠、沈文莉、黄柏雪、梅庆羊、何威、韩胜存、王雪清、丁桂玲、张文洁等是剧院承上启下的一代中坚；张建峰、杨少彭、张馨月、窦晓璇、常秋月、姜亦珊、郭玮、谭正岩、翟墨、康静、詹磊、魏学雷、方旭、张淑景、郑潇、穆雨、王奕謌、吴昊颐、王晓丽、李小培、于帅、曹阳阳等为代表的一批优秀青年演员，已经成为北京京剧院乃至全国青年京剧演员中的领军人物；索明芳、朱虹、王岳凌、陈张霞、谭小羽、卢杨、张茜、马博通、裘识、白金、李佳、侯宇、张凯、王宁 、周美慧等青年新秀也在不断的历练中走向成熟。 艾兵、赵旭、舒健、王福隆、左旭、沈媛、秦勤、史迎军、裘新、杨广同、封千、王葳、刘洋等为代表的演奏家使北京京剧院的演奏队伍成为剧院的另一道风景线。

北京京剧院立足传统，以演出传统经典京剧剧目见长。同时，亦不断创作新剧目，推出既不脱离京剧本体又有当代意识的新编剧目。

几十年来，北京京剧院上演、创作的传统京剧、现代京剧、新编历史京剧、小剧场京剧达数百部。

其中经典传统剧目有：《龙凤呈祥》、《四郎探母》、《赵氏孤儿》、《穆桂英挂帅》、《红鬃烈马》、《杨门女将》、《大保国･探皇陵･二进宫》、《锁麟囊》、《群英会･借东风》、《状元媒》、《三娘教子》、《吕布与貂蝉》、《珠帘寨》、《金玉奴》、《白蛇传》、《玉堂春》、《秦香莲》、《十老安刘》等两百余部。

现代京剧有：《沙家浜》、《杜鹃山》、《红灯记》、《智取威虎山》、《宋家姐妹》、《梅兰芳》、《云之上》、《裘盛戎》、《党的女儿》等。

新编历史京剧有：《画龙点睛》、《风雨同仁堂》、《宰相刘罗锅》、《洛神赋》、《武则天》、《下鲁城》、《连升三级》、《袁崇焕》、《屈原》、《正考父》等。

北京京剧院首开小剧场京剧创作先河，先后创作推出了《马前泼水》、《阎惜姣》、《玉簪记》、《浮生六记》、《昭王渡》、《惜･姣》、《碾玉观音》、《春日宴》、《明朝那点事儿——审头刺汤》、《吴起》等十余部深受业内好评和观众喜爱的小剧场剧目。

北京京剧院创排的剧目多次荣获各种艺术奖项：

《画龙点睛》荣获北京市政府嘉奖、北京市新剧目演出一等奖、文化部首届文华大奖。

《拜相记》荣获1991－1993年度新剧目展演获优秀演出奖。

《黄荆树》荣获北京首届舞台艺术“金菊花”奖。

《圣洁的心灵——孔繁森》荣获第六届文化新剧目奖、北京市委宣传部“十个一工程”入选作品奖。

《赵氏孤儿》荣获首届京剧艺术节优秀传统戏示范演出奖。

《风雨同仁堂》荣获第二届中国京剧艺术金奖、北京市新剧(节)目评奖中荣获优秀新剧目奖、第三届北京市社会主义精神文明建设“十个一工程”入选作品奖、精神文明建设“五个一工程”第七届入选作品奖、北京市第二届文学艺术奖、第九届文华奖评奖中荣获文华新剧目奖。

《西厢记》荣获北京市新剧(节)目评奖中荣获新剧目奖。

《宰相刘罗锅》荣获第六届中国艺术节大奖、北京市第二届文学奖、精神文明建设“五个一工程”第八届入选作品奖、第四届北京市精神文明建设“十个一工程”入选作品奖、中国十大演出盛事提名奖、文化部第十届文华新剧目奖、第二届老舍文学奖、优秀戏剧剧本奖、国家舞台艺术精品工程（2002－2003年度）“十大精品剧目”奖。

《蔡文姬》荣获第二届全国少数民族文艺会演演出金奖、创作金奖、舞美金奖、中国京剧艺术节优秀剧目奖、第三届中国京剧艺术节优秀音乐奖。

《马前泼水》荣获第七届中国戏剧节中国曹禺戏剧剧目奖。

《洛神赋》荣获第三届中国京剧艺术节金奖。

《非常会见》荣获第十一届中国人口文化奖（东华杯）抗“非典”优秀作品短剧金奖。

《非常家庭》荣获第十一届中国人口文化奖（东华杯）抗“非典”优秀作品短剧金特别奖。

《阎惜姣》荣获第八届中国戏剧节“都宝”杯小剧场演出季优秀剧目奖。

《梅兰芳》荣获第四届中国京剧艺术节评奖中荣获剧目金奖、国家舞台精品工程（2005－2006）年度“精品提名剧目”、第十二届文华奖评奖中荣获文华剧目奖、第五届北京市文学艺术奖、第二届文化部创新奖。

《袁崇焕》荣获第五届“北京市文学艺术奖”、荣获2007－2008年度国家舞台艺术精品工程（二期）年度资助项目。

《下鲁城》荣获第五届中国京剧节优秀剧目展演活动一等奖、第六届北京市文学艺术奖、荣获第十三届文华优秀剧目奖。

《三打陶三春》荣获全国专业舞台艺术“优秀保留剧目大奖”称号。

《浮生六记》在第十一届中国戏剧节获“第三届中国戏剧奖－优秀剧目奖”。

《宋家姐妹》荣获第七届北京市文学艺术奖。

《屈原》入选第七届中国京剧艺术节。

《正考父》应邀参加第十八届中国上海国际艺术节演出。

北京京剧院秉承历史，开创未来，把建设世界驰名剧院作为发展目标。为了实现这个愿景，剧院在尊重艺术、尊重艺术家的前提下进行管理、经营和人才培养，并为京剧艺术未来的发展储备了极大的潜力。

剧院积极探索能够充分调动广大演职员积极性、符合艺术生产规律的管理方法。近年来，剧院调整了生产经营的责任体系，实行了按项目对剧院的演出经营、艺术生产以及基础管理和保障工作进行管理的“项目制”。“项目制”管理，责任明确，程序严格，提高了效率，取得了极好的效果。

剧院以树立品牌剧目品牌活动为战略，陆续推出了“唱响之旅”、“传承之旅”、“发展之旅”、“每周一星”、“双甲之约”、“魅力春天”、“寻梦･承泽”等品牌活动，获得了很好的经济效益和社会效益，并以此树立了剧院的品牌形象。

剧院积极为各个层面的人才提供发展和展示机会，包括为名家策划扩大影响的活动、量身打造新剧目；为中年演员提供更广阔的展示平台；给青年领军更多的学习、创作和演出机会。一年一度的“青年演员擂台赛”、“青年演员对抗赛”活动，更成为激励青年演员成长进步、走向成熟的舞台。这些举措，使各年龄层的演员相互激励、共同进步成长，剧院的社会影响力也因此逐渐增强增大。

北京京剧院扎根本土创作演出，以雄厚的实力、高效的管理以及高水准的剧目作品，荣获了各种奖项和荣誉：国家重点京剧院团、北京市年度非物质文化遗产保护奖、首都维护国家安全先进单位、首都文明单位、全国文明单位、全国文化工作先进集体、全国先进基层党组织等。

北京京剧院多次将代表中国文化的京剧艺术带出国门，使之走向世界，所到之处几乎都掀起了当地的京剧热潮和中国文化热潮，把中国传统艺术的火种洒向全世界，足迹几乎遍布世界各地，包括美国、俄罗斯、英国、法国、澳大利亚、智利、摩那哥、德国、新加坡、意大利、芬兰、巴西、匈牙利、日本、荷兰、瑞士、奥地利、卢森堡、越南、挪威、南非、毛里求斯、阿联酋、香港、澳门、台湾地区等数十个国家和地区。

近年来，剧院曾应邀赴美国林肯中心、肯尼迪艺术中心、俄罗斯圣彼得堡马林斯基歌剧院等著名艺术殿堂演出，把京剧艺术的魅力成功带给了世界各地的观众。

The Jingju Theatre Company of Beijing is a national key Jingju company with a large scale and an accumulation of art unseen elsewhere. It was founded in 1979 on the basis of merging the Jingju troupes of Beijing – the origin of Jingju – and the troupes of other schools of opera. Currently, it consists of three troupes, a training center, a stage art center, Du Zhenjie Studio and Zhang Huifang Studio.

The elderly generation of artists represented by Mei Lanfang, Shang Xiaoyun, Cheng Yanqiu, Xun Huisheng, Ma Lianliang, Tan Fuying, Zhang Junqiu, Qiu Shengrong and Zhao Yanxia, as the founders of the Jingju Theatre Company of Beijing, have left behind precious artistic and spiritual heritage. Their stage performance, achievements and styles have become distinctive signatures and the sources of artistic inspiration for the Company.

The Jingju Theatre Company of Beijing gathers a big constellation of famous artists. In addition to the above-mentioned elder generation of masters, the Company has many performing artists who have made indispensable contributions to the development of Jingju, such as Wu Suqiu, Li Wanchun, Li Duokui, Zhao Rongchen, Li Zongyi, Li Huifang, Ma Fulu, Jiang Miaoxiang, Li Yuanchun, Wang Yinqiu, Zhou Hetong, Liu Xuetao, Mei Baojiu, Tan Yuanshou, Ma Changli, Mei Baoyue, Zhang Xuejin, Li Yufu, Li Chongshan, Chen Zhiqing, Yang Shaochun, Tan Xiaozeng, Zhao Baoxiu, Yan Guixiang, Wang Yuzhen, Huang Dehua, Ye Jinyuan and Wang Shufang. The famous playwright and litterateur Wang Zengqi, playwrights Wang Yan and Wang Xinji, directors Chi Jinsheng and Xu Chunlan, composers Lu Songling and Zhu Shaoyu, choreographer Zheng Chuan’en, and instrumentalists Li Muliang, Jiang Fengshan, He Shunxin, Wang Benzhen, Yan Shouping, Wang Hewen and Jin Huiwu are all outstanding artists of the Company. The Company boasts a contingent of excellent artists with a wide range of specialties; these talents form an echelon favorable to the Company’s growth. Wang Rongrong, Du Zhenjie, Li Hongtu, Chi Xiaoqiu, Zhu Qiang, Chen Junjie, Zhang Huifang and Hu Wenge are the most influential Jingju artists of today. Bao Fei, Wang Yi, Shang Wei, Zhang Shu, Han Juming, Li Hongyan, Huang Yanzhong, Shen Wenli, Huang Baixue, Mei Qingyang, He Wei, Han Shengcun, Wang Xueqing, Ding Guiling and Zhang Wenjie are the backbone of the Company who carry forward the fine tradition and inspire the new generation of artists. The young performers represented by Zhang Jianfeng, Yang Shaopeng, Du Zhe, Zhang Xinyue, Dou Xiaoxuan, Chang Qiuyue, Jiang Yishan, Guo Wei, Tan Zhengyan, Zhai Mo, Kang Jing, Zhan Lei, Wei Xuelei, Fang Xu, Zhang Shujing, Zheng Xiao, Mu Yu, Wang Yige, Wu Haoyi, Wang Xiaoli, Li Xiaopei, Yu Shuai and Cao Yangyang have become leading Jingju artists of Jingju Theatre Company of Beijing and the country at large. Suo Mingfang, Zhu Hong, Wang Yueling, Chen Zhangxia, Tan Xiaoyu, Lu Yang, Zhang Qian, Ma Botong, Qiu Shi, Bai Jin, Li Jia, Hou Yu, Zhang Kai, Wang Ning and Zhou Meihui among other outstanding young performers have grown into mature artists.

The instrumentalists represented by Ai Bing, Zhao Xu, Shu Jian, Wang Fulong, Zuo Xu, Shen Yuan, Qin Qin, Shi Yingjun, Qiu Xin, Yang Guangtong, Feng Qian, Wang Wei and Liu Yang make the instrumentalist team into another spotlight of the Jingju Theatre Company of Beijing. Relying on a proud tradition, the Jingju Theatre Company of Beijing is good at staging classic Jingju. Still, it keeps launching new plays which combine Jingju art with contemporary themes.

Over the past decades, the Jingju Theatre of Beijing Company has staged and created hundreds of Peking Operas, including the traditional, modern, newly-crafted, and small theatre ones.

The classic repertoire includes over 200 plays, such as Harmony Through a Royal Marriage, Silang Visiting His Mother, The Chinese Orphan, Mu Guiying Taking Command, Red-mane Savage Horse, The Female Generals of the Yang Family, Guarding the Nation, Visiting the Royal Tomb and Entering the Palace for the Second Time, An Embroidered Treasure Pouch, Gathering of Heroes, Borrowing East Wind, The Pearl Shirt, Stepmother Admonishes the Son, Lü Bu and Diaochan, Pearl-curtain Village, Jin Yunu, The White Snake Legend, Yu Tang Chun, Qin Xianglian and Ten Figures against Lv Zhi. Modern Jingju include Shajia River, Azalea Mountain, The Legend of the Red Lantern, Taking Tiger Mountain by Strategy, The Song Sisters, Mei Lanfang, Above the Cloud, Qiu Shengrong and The Daughter of the Party.

The newly-crafted historical Jingju include The Finishing Touch, Vicissitudes of Tongrentang, Prime Minister Liu, The Goddess of the Luo River, Empress Wu, To Lucheng, Unexpected Promotions, Yuan Chonghuan, Qu Yuan and Zhengkaofu.

The Jingju Theatre of Beijing Company has taken the lead in turning out small theatre plays. It has launched 10-plus small theatre plays that win wide acclaim among the opera community as well as the audience, like A Foregone Marriage, Three Sinners, Story of the Jade Hairpin, Six Records of a Floating Life, The Salvation of the King Zhao of Chu, Xijiao, Jade Grinding Guanyin, Srping Banquet,Something about the Ming Dynasty:Interrogating the Head and Assassinating Tang Qin and Wu Qi. The Jingju Theatre Company of Beijing has fetched many awards of art for creation and performance of its repertoire:

The Add the Finishing Touch has won an award from Bejing municipal government, the first prize of Beijing new play performance, and the first Wenhua Award from the Ministry of Culture.

The Appointment of Prime Minister won the new play performance award during 1991-1993.

The Yellow Wattle won Beijing First Golden Chrysanthemum Award for Stage Art.

The Holy Mind of Kong Fansen won the sixth edition of Wenhua New Play Award and was recognized as an outstanding entry in the Ten-One-Campaign of Clean Government Building by the Publicity Department of the CPC Beijing Municipal Committee.

The Chinese Orphan won the Outstanding Traditional Chinese Play Demonstration Performance Award in the First Jingju Festival.

The Vicissitudes of Tongrentang won the Second Gold Award of Chinese Jingju Art, Beijing Outstanding New Play Award, Recognition as an Entry into the Third Edition of the Awarding Event for the Ten-One Campaign of Clean Government Building (a part of the Beijing municipal endeavor to advance cultural and ethical progress), Recognition as an Entry into the Seventh Edition of the Five-One Project Awarding Event, the second edition of Beijing Municipal Literature and Art Award, and the ninth edition of Wenhua New Play Award. The Romance of the Western Chamber won Beijing Municipal New Play Award.

The Prime Minister Liu won the Award of the Sixth China Art Festival, the Second Edition of Beijing Municipal Literature Award, the Recognition as an Entry into the Eighth Edition of the Five-One Project Awarding Event, and Recognition as an Entry into the Fourth Edition of the Awarding Event for the Beijing Municipal Ten-One Campaign of Clean Government Building, the Nomination Award in China Top Ten Plays Awarding Event, the 10th edition of Wenhua New Play Award, the second edition of Lao She Literary Award, the Excellent Drama Script Award, and the Top Ten Selected Plays Award in the National Choice Stage Art Project for 2002-2003.

The Cai Wenji won the Gold Awards respectively for Performance, Creation and Choreography at the Second National Ethic Minority Arts Show; the Good Play Award at China Jingju Festival, and the Music Award at the Third China Jingju Festival.

The Foregone Marriage won Cao Yu Drama Award at the Seventh China Drama Festival.

The Goddess of the Luo River won the Gold Award at the Third Chinese Jingju Festival.

The Unusual Meeting won the Gold Award for Good Playlet on Combat against SARS in the 11th Chinese Population Culture Award (Donghua Cup).

The Exceptional Family won the Special Award for Good Playlet on Combat against SARS in the 11th Chinese Population Culture Award (Donghua Cup).

The Three Sinners won the Good Play Award in the Derby Cup Small Theatre Play Season of the Eighth Chinese Drama Festival.

The Mei Lanfang won the Gold Award in the Fourth Chinese Jingju Festival, the Selected Play Award in the National Choice Stage Art Project for 2005-2006, the 12th edition of Wenhua Play Award, the fifth edition of Beijing Municipal Literature and Arts Award, and the second edition of the Innovation Award from the Ministry of Culture. The Yuan Chonghuan won the fifth edition of the Beijing Municipal Literature and Arts Award, and the recognition in the second phase of 2007-2008 as a national choice stage art project granted with subsidies.

The To Lucheng won the first prize for good play performance in the Fifth Chinese Jingju Festival, the sixth edition of Beijing Municipal Literature and Arts Award, and the 13th edition of Wenhua Good Play Award.

The Attempts to Beat Tao Sanchun won the Must-see Play Award in National Professional Stage Art Contest.

The Six Records of a Floating Life won the third edition of Chinese Drama Award for Good Play in the 11th Chinese Drama Festival.

The Song Sisters won the seventh edition of Beijing Municipal Literature and Arts Award.

The Qu Yuan was selected into the Seventh China Jingju Festival.

The Zhengkaofu was played at the 18th China Shanghai International Arts Festival upon invitation.

The Jingju Theatre Company of Beijing, carrying forward its fine tradition and committed to embracing a bright future, endeavors to build a world famous theatre. To realize this vision, the Company, holds the art and artists in high regard when conducting management, operation and personnel training, and stores tremendous potential for the development of Jingju.

The Company seeks to adopt a management mode that most stimulates the enthusiasm of all the performers and conforms to the law of art production. Over recent years, the Company has adjusted the system on production and operation responsibility, and practices a project-based system to manage the commercial performance, art production, regular work and relevant support work. Such a management mode featuring a clear-cut division of responsibilities and strict procedures proves very effective in enhancing work efficiency.

Following the strategy of building a brand repertoire and launching brand activities, the Company has organized such brand name activities as the Singing Tour, Heritage Tour, Growth Tour, Weekly Star, Tournee Marking the 120th Birthday of Mei Lanfang, Charming Spring, Quest of the Dream & Inheritance of the Fine Tradition, which have generated remarkable economic and social benefits and thus cemented the brand image of the Company.

The company provides the personnel at all levels with opportunities for career development and talent demonstration. For example, the Company designs new plays for the big-name performers and organizes activities to expand their influence; provides the middle-aged performers with an even broader platform of talent show; and offers leading young performers more opportunities for study, creation and performance. The annual Young Performers’ Knockout Competition and Young Performers Contest are the very stages which stimulate the young performers to pursue professional progress. All these are intended to spur the performers of different age groups on to seek common progress by learning from each other. As thus, the Company enjoys growing social impact.

The Jingju Theatre Company of Beijing takes roots in Beijing in both creation and performance. With remarkable competence, efficient management and a high-caliber repertoire, the Company has fetched a wealth of honors and titles: National Key Jingju Unit, Beijing Annual Intangible Culture Heritage Protection Award, The Capital Exemplary Unit Safeguarding National Security, The Capital Exemplary Unit, National Exemplary Organization, National Exemplary Collective in Cultural Work and National Exemplary Primary-level Party Organization.

The Jingju Theatre Company of Beijing has taken the Jingju representative of Chinese culture to numerous foreign destinations and has evoked a boom of Jingju and a craze for Chinese culture wherever it lands. In this way, the seeds of traditional Chinese culture are sprinkled around the world. Actually the Company has travelled to dozens of countries and regions in the world, including the United States, Russia, the United Kingdom, France, Australia, Chile, Morocco, Germany, Singapore, Italy, Finland, Brazil, Hungary, Japan, the Netherlands, Switzerland, Austria, Luxembourg, Vietnam, Norway, South Africa, Mauritius, The United Arab Emirates, Hong Kong, Macao and Taiwan. Over recent years, the Company has, upon invitation, staged shows in prestigious art centers like the Lincoln Center and the Kennedy Center of the United States and Marinsky Theatre in St. Petersburg, lending the audience from around the world a taste of the charm of Jingju.

联系方式
地址：北京市丰台区海户西里30号
电话：010-67247775 请于工作日9:00-12:00 13:00-16:30拨打

市场/商务合作
北京京剧院市场开发部
电话：010-67248778 请于工作日9:00-12:00 13:00-16:30拨打
邮箱：meilanfang99(at)163.com 请将(at)替换成@